In the Movie Vaadu Veedu: Highness (GM Kumar) is an old man belonging to the clan of Pithapuram Samstanam.
After Siva Putrudu, Nenu Devudini, here comes Bala’s fresh venture. Finally, ‘Kalicharan’ is a good attempt which has totally gone wrong.Ĭinejosh Verdict of Kalicharan: This is a Kaali (Empty) Film.Behind the Movie Vaadu Veedu: Director Bala known for realistic cinema with disturbing content along with artists Vishal, Arya, Madhu Shalini in lead, this movie is expected to be a wonderful entertainer. At the same time, he should have given the proper attention on the kind of screenplay and story flow maintained by him in both the parts of ‘Gangs of Wasseypur.’ Definitely, there is a lot missing herein every department. The thought of Sri Prawin to follow Anurag Kashyap was acceptable. Nagineedu was regular and the girl who acted as his daughter did a good job.Ĭommercially, a project of this genre can do partially good in Tollywood only if director can add that conviction utilizing the strong topographical edge to the rugged script. Rao Ramesh is a true performer and his caliber is completely wasted with a silly twist in climax.
Bhojpuri actor Pankaj Kesari was good looks wise but his character was poorly etched most of the time rolling on bed with sexually wild natured wife. I opine that, there was no necessity for Sri Prawin to narrate the story in flashback format because a technically better shot second half if shifted to first half would have added the saving grace. Chandini is cute looking as Brahmin girl but comes at uneven times to disturb the flow of action. A director should have minimal command on the slang to be used in conversations with respect to the backdrop picked. When characters of Rao Ramesh, Nagineedu and others try to add Telangana accent, Chaitanya struck to Coastal language. His character fits odd neither into pure Telangana base nor Coastal base. Performance wise Chaitanya was completely in non-sync. Venkat Nag’s fight composition was too bad and especially climax resembled that of Vikram’s ‘Siva Putrudu.’ Production values of Karunalayam, Sri Prawin Cinema are appreciable. Nandan Raj’s background score elevated the essence in few scenes and all the songs were sounding analogous. Prawin Pudi’s editing missed in sharpness. Satish Muthyala and Vishwa Devabattula’s cinematography was good in parts they still could not add the Telugu flavor. The dead slow narration and slanted execution made it into a boring tale. However, Prawin missed bringing the much needed nativity into the film. Values & Out of the Movie Kalicharan: Highly inspired from Bollywood director Anurag Kashyap’s making style (Gangs of Wasseypur), our Sri Prawin took to a rugged storyline with some true happenings in and around 1980 in Mahabubnagar District.
Why did Kali end up even in finishing Prabhakar? What happened to Kali’s love and married life with Teertha (Chandini)? All these form the rest. Kali is on a revenge to complete Pasupathi. The twists in story arrive when Kali’s mother and father are murdered in a car blast while his sister is also brutally raped in flashback. But, Prabhakar rescues Kali grooming him into his right hand.
At the same time, Kalicharan kills brother-in-law of Pasupathi only to get arrested by the police. Actually, Pasupathi has an opponent in Kodali Prabhakar (Rao Ramesh) and both of them eye on local MLA seat. In the Movie Kalicharan: Set in 1980 backdrop in a small village of Nalgonda district, story is about Tahasildar (Nagineedu)’s son Kalicharan (Chaitanya) and his revenge on local goon Pasupathi (Pankaj Kesari). Behind the Movie Kalicharan: Young hero Chaitanya yet to prove in film industry is teamed with ‘Gayam 2’ director Sri Prawin for this movie being made on some true incidents.